Three sounds. 1) 2hp sh samples from 25hz bipolar lfo (doepfer a-147-2)2) 2hp sh samples from 25hz looping envelope (intellijel quadra)3) 2hp sh samples from noise generated by barton musical circuits bmc23 decaying analog noise).
Three sounds. 1) analog systems rs-40 samples from 25hz bipolar lfo (doepfer a-147-2)2) analog systems rs-40 samples from 25hz looping envelope (intellijel quadra)3) analog systems rs-40 samples from noise generated by barton musical circuits bmc23 decaying analog noise).
Three sounds. 1) make noise function samples from 25hz bipolar lfo (doepfer a-147-2)2) make noise function samples from 25hz looping envelope (intellijel quadra)3) make noise function samples from noise generated by barton musical circuits bmc23 decaying analog noise).
Same as thrumbeat-volume re-leveled and length trimmed for a better loopambiguous beat pattern produced with a heavily cross-modulated sample and hold patch on the studiofactory/synfactory soft synth.
Variable speed on main trigger. 4-step shift register made with sample and hold modules. Looping envelopes with varying speed. The sample and hold shift register does not preserve pitch frequency very well.
Passamezzo moderno/"Gregory Walker" chord progression in C major, beginning with tonic chord in first inversion and continuing using minimal-change and "closest-packing" rules (minimizing each voice's change from previous note and keeping each chord's notes as close to each other as possible; resulting order of inversions is first-root-first-second/first-root-first-second-first)
Passamezzo moderno/"Gregory Walker" chord progression in C major, beginning with tonic chord in second inversion and continuing using minimal-change and "closest-packing" rules (minimizing each voice's change from previous note and keeping each chord's notes as close to each other as possible; resulting order of inversions is second-first-second-root/second-first-second-root-second)
Passamezzo moderno/"Gregory Walker" chord progression in C major, beginning with tonic chord in root position and continuing using minimal-change and "closest-packing" rules (minimizing each voice's change from previous note and keeping each chord's notes as close to each other as possible; resulting order of inversions is root-second-root-first/root-second-root-first-root)
The result of trying to disturb a sequence. I'm playing with a double vc switch. Whats wrong is right in the modular synth world. Good for me. And it's a loop!.
Bartonmusicalcircuits 2lfosh (bmc 017). Manual wiggling. First it acts like a sample and hold and lfo. S/h connected to a vco and the lfo to a filter. Then i'm testing the lfos. After that you hear the two oscillators. Great module. 3 in one. Lfo, sample and hold and oscillators. Square, triangle wave and a mixed waveform!.
